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Oscar Niemeyer

Areia da praia

Tarsila do Amaral

Amanhã há de ser

outro dia

Unpredictable ways

Ayrton Senna do Brasil

Irreverente e descompromissada, mas não menos memorável

como nos melhores sambas

Etecetera e tal

A typeface sculpted for a diversity of usages

Céus do Vidigal

Aílton Krenak

SUDAMÉRICA

Carnaval na Bahia

Uppercase & Lowercase

Numerals

Diacritics

Symbols

About

Launch year 2024

Weights 8

Styles 2

Lead Designer Sofia Mohr

Team Fabio Haag, Ana Laydner, Henrique Beier and Eduilson Coan

Languages Supports 209 languages based on the Latin script.

Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Guarani, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam, Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu and Zuni.

Imagine a Brazil that can only be visited between the lines, with an identity that manifests in unpredictable ways. In the footballer’s twisted leg, in the sudden improvisation, in the softness of Bossa, and in the infinity of colors, shapes, and expressions that make up this reliquary of peoples and cultures.

The Pitanga font absorbs the many Brazils that exist to roam freely with light, organic, and loose strokes, creating a sculpted typeface for a diversity of usages. Its designer, Sofia Mohr, created a font that is music to our eyes. It is the form in its most irreverent and uncompromising function, but no less memorable, as in the best sambas.

Like the kid who draws in the beach sand or the kite that takes the skies of Vidigal, Pitanga expands with a calculated rebellion that calls itself flexible. A versatile and expressive font that shows off its curves with confidence and personality. It is Brazil in type form.