Versos

8 weights, 2 styles Download to test
  • Imagem fonte

Parece que você está no celular, acesse nosso site pelo computador para conhecer nossas fontes

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Let’s try a few different futures

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

The shape of our letters has always been transformed by technology.

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Text-DaVinci-002

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

They always say time changes things,

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

but you actually have to change them yourself.

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Andy Warhol

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Em 2009 dei uma festa para viajantes do tempo em minha faculdade, em Cambridge. Para ter certeza de que apenas viajantes do tempo genuínos viriam, só divulguei depois que festa terminou. No dia da festa, fiquei esperando, mas ninguém apareceu.

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Stephen Hawking

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

If it keeps up, man will atrophy all his limbs but the push-button finger.

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Frank Lloyd Wright

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

We study history not to know the future but to widen our horizons, to understand that our present situation is neither natural nor inevitable, and that we consequently have many more possibilities before us than we imagine.

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Yuval Noah Harari

Aconchego

Pitanga

Passo

Passeio

Curiosa

Versos

Pausa

Seiva

Salva

Igual

Margem

Sua

Lembra

Thin

ExtraLight

Light

Regular

SemiBold

Bold

ExtraBold

Black

Upright

Italic

Maybe we’ll be extinct. But from the metaverse, really, we keep the verses.

A

Uppercase & Lowercase

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z

a

b

c

d

e

f

g

h

i

j

k

ĸ

l

m

n

o

p

q

r

s

t

u

v

w

x

y

z

a

e

f

g

i

j

l

t

y

a

d

i

l

u

Numerals

0

1

2

3

4

5

6

7

8

9

0

2

3

5

6

9

0

1

2

3

4

5

6

7

8

9

0

1

2

3

4

5

6

7

8

9

0

1

2

3

4

5

6

7

8

9

½

¼

¾

½

¾

¹

²

³

²

³

Diacritics

Á

Ă

Â

Ä

À

Ā

Ą

Å

Ã

Æ

Ć

Č

Ç

Ĉ

Ċ

Ð

Ď

Đ

É

Ĕ

Ě

Ê

Ë

Ė

È

Ē

Ę

Ğ

Ĝ

Ģ

Ġ

Ħ

Ĥ

IJ

Í

Ĭ

Î

Ï

İ

Ì

Ī

Į

Ĩ

Ĵ

Ķ

Ĺ

Ľ

Ļ

Ŀ

Ł

Ń

Ň

Ņ

Ñ

Ŋ

Ó

Ŏ

Ô

Ö

Ò

Ő

Ō

Ø

Õ

Œ

Þ

Ŕ

Ř

Ŗ

Ś

Š

Ş

Ŝ

Ș

Ŧ

Ť

Ţ

Ț

Ú

Ŭ

Û

Ü

Ù

Ű

Ū

Ų

Ů

Ũ

Ŵ

Ý

Ŷ

Ÿ

Ź

Ž

Ż

á

ă

â

ä

à

ā

ą

å

ã

æ

ć

č

ç

ĉ

ċ

ð

ď

đ

é

ĕ

ě

ê

ë

ė

è

ē

ę

ğ

ĝ

ģ

ġ

ħ

ĥ

ı

í

ĭ

î

ï

i

ì

ij

ī

į

ĩ

ȷ

ĵ

ķ

ĺ

ľ

ļ

ŀ

ł

ń

ʼn

ň

ņ

ñ

ŋ

ó

ŏ

ô

ö

ò

ő

ō

ø

õ

œ

þ

ŕ

ř

ŗ

ś

š

ş

ŝ

ș

ß

ŧ

ť

ţ

ț

ú

ŭ

û

ü

ù

ű

ū

ų

ů

ũ

ŵ

ý

ŷ

ÿ

ź

ž

ż

á

ă

â

ä

à

ā

ą

å

ã

æ

é

ĕ

ě

ê

ë

ė

è

ē

ę

ğ

ĝ

ģ

ġ

ı

í

ĭ

î

ï

ì

ij

ī

į

ĩ

ȷ

ĵ

ĺ

ľ

ļ

ŀ

ł

œ

ŧ

ť

ţ

ț

ý

ŷ

ÿ

á

ă

â

ä

à

ā

ą

å

ã

ď

đ

ı

í

ĭ

î

ï

ì

ij

ī

į

ĩ

ĺ

ľ

ļ

ŀ

ł

ú

ŭ

û

ü

ù

ű

ū

ų

ů

ũ

ff

ffi

ffl

Symbols

ª

º

ª

º

ª

ª

Δ

Ω

μ

π

μ

.

,

.

,

.

,

.

,

.

,

:

;

!

¡

?

¿

·

*

#

/

\

¡

¿

/

\

.

,

:

;

-

_

-

(

)

{

}

[

]

(

)

{

}

[

]

«

»

"

'

«

»

ƒ

Ξ

@

&

§

©

®

°

|

¦

@

@

¢

¤

$

£

¥

+

×

÷

=

>

<

±

~

¬

^

µ

%

µ

̈

̇

̀

́

̋

̂

̌

̆

̊

̃

̄

̒

̦

̧

̨

̵

̷

̸

̈

̇

̀

́

̋

̂

̌

̆

̊

̃

̄

̸

¨

˙

`

´

˝

ˆ

ˇ

˘

˚

˜

¯

¸

˛

About

2022
8
2
Eduilson Coan
Henrique Beier, Ana Laydner, Thiago Bellotti and Fabio Haag
Supports 209 languages based on the Latin script.
Abenaki, Afaan, Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Guarani, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, HopiHotcąk (Latin), Hungarian, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala, Lagaw, YaKapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, KlingonKurdish (Latin), Ladin, Latin, Latino sine, Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam, Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish, Gaelic, Serbian (Latin), Seri, Seychellois, CreoleShawnee, ShonaSicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, TetumTok, Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, VõroWallisian, Walloon, Waray-Waray, Warlpiri, WayuuWelsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu and Zuni.

The shape of our letters has always been transformed by technology. In the hands of the scribes, it was their brush that decided which part would be thick or thin. Advances in ink and paper quality allowed the printing of very delicate lines in the 18th century, which are still synonymous with luxury today. Variable fonts now offer precise adjustments to the user’s taste. But for all that, if you compare the page of a current book with that of a fifteenth-century one, you'll see how little the design of the letters has changed compared to all the transformation of our civilization over the last few centuries.

Today we launch the typeface Versos looking into the future, inspired by a style of 50 years ago. In other words, yesterday in the history of typography. In 1962 in Italy, Aldo Novarese launched Eurostile, with very characteristic rectangular shapes, reminiscent of the shape of televisions and reflecting optimism in technology during the space race. Versos interprets this heritage and expands the possibilities of the future through a series of alternative letterform designs. Combined or not, they offer flexibility for every type of application.

In a virtual world, where our identity is replaced by avatars, fonts can become even more important as a form of our personal expression. Who said that was the own artificial intelligence Text-DaVinci-002 of the OpenAI project, which helped us to prepare this text. Still, we're a little skeptical. Maybe we’ll be extinct. But from the metaverse, really, we keep the verses.

Finally, font licenses designed for you:

Clients can easily share with suppliers and don’t need to worry about web pageviews or renewals at any time.

 

Designers and studios have easy free trials and fair pricing, no matter the size of their practice.

 

Who are you and what do you need?

Finally, font licenses designed for you:
Licence Image

test drive

No cost to install and test in practice

  • 1 user
  • Web
  • App
  • Sharing with suppliers

Access from your computer to make the purchase

Licence Image

individual

A special offer for those who run solo

  • 1 user
  • Web
  • App
  • Sharing with suppliers

Access from your computer to make the purchase

Licence Image

studio

Unlimited distribution in studios and agencies

  • Unlimited users
  • Web
  • App
  • Sharing with suppliers

Access from your computer to make the purchase

Licence Image

client

Convenience and legal security for companies of all sizes

Micro - Up to 5 users

Small - Up to 10 users

medium - up to 30 users

Large - Up to 100 users

Multinational - Unlimited users

  • Web
  • App
  • Sharing with suppliers

Access from your computer to make the purchase

How many users?

The total number of people who can use the fonts, installed on their computers, for their company.

Web?

There isn’t any type of restriction on the use of webfont technology, neither based on traffic, on the number of domains or time of use.

App?

You can use on as many titles and platforms as you want, with no distribution limits.

Sharing with suppliers?

Yes! Just remember to include suppliers in the total number of users within your license. They must use the fonts only in projects for the Licensed company.