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Creativity is the residue of time wasted

I love deadlines;

I love the whooshing noise they make as they go by.

The times, they are a-changin’.

Tempo de qualidade é essa mentira que a gente conta pra justificar nossos únicos quinze minutos por semana ao lado dos nossos filhos. Pra ter tempo de qualidade a gente precisa, antes, ter tempo de quantidade. Não tem outro nome, é horas mesmo. Dias. Sábados e domingos, mas também terça-feira à noite e segundas-feiras bem cedo, café da manhã juntos, confidências sem julgamentos.

A calma é amiga da perfeição;

Ela chegou a estudar com a procrastinação que, apesar se ser uma má influência, elas se davam super bem.

Serious without being cold

The distinction between the past, present and future is only a stubbornly persistent illusion.

Time after time

Questions you cannot answer are usually far better for you than answers you cannot question.

As sábias frases neste type tester tem o oferecimento de: Albert Einstein, Douglas Adams, Bob Dylan, Marcos Piangers, Yuval Harari e Cyndi Lauper, com exceção daquelas de qualidade bastante duvidosa, por Fabio Haag mesmo.

Uppercase & Lowercase





Eduilson Coan
Henrique Beier and Thiago Bellotti
Supports 209 languages based on the Latin script.
Abenaki, Afaan, Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Guarani, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, HopiHotcąk (Latin), Hungarian, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala, Lagaw, YaKapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, KlingonKurdish (Latin), Ladin, Latin, Latino sine, Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam, Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish, Gaelic, Serbian (Latin), Seri, Seychellois, CreoleShawnee, ShonaSicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, TetumTok, Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, VõroWallisian, Walloon, Waray-Waray, Warlpiri, WayuuWelsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu and Zuni.

Sometimes, all we need is a pause. Calm. Clarity.

This is the story of a typeface started in 2015 in New York, by the hands of Eduilson Coan. In an intense experience of five weeks and more than 12 hours of study per day, Eduilson delved into the history of typography, typographic practice, and hand-drawing techniques in the renowned Type@Cooper program. And it was in this tightening of studies, lack of space and time, that Pausa received its first contours.

Born freely, without direct references, it began to show its forms. After the program, the typeface gained space. Over the course of six years, it received new features and refinements. The italics changed, taking on new dimensions. The spur on lowercase “d” and “u”, which had a calligraphic design, became straighter and was adjusted to a conventional serif. And so it matured.

Because it has a horizontal design, it values space, paper and breath. Like its creation process, Pause is a typeface that asks for calm.

We license fonts in the simplest possible way.

You can download, install and test fonts before you even purchase them.

Our clients can share our fonts with their suppliers, facilitating the implementation of the project. We only sell complete families, no weight is left out. And forget the headache of monitoring the number of pageviews.

Here, the license was designed for you. Just choose your type.

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test drive

No cost to install and test in practice

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Access from your computer to make the purchase

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A special offer for those who run solo

  • 1 user
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  • Sharing with suppliers

Access from your computer to make the purchase

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Unlimited distribution in studios and agencies

  • Unlimited users
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  • Sharing with suppliers

Access from your computer to make the purchase

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Convenience and legal security for companies of all sizes

  • Web
  • App
  • Sharing with suppliers

Access from your computer to make the purchase

How many users?

The total number of people who can use the fonts, installed on their computers, for their company.


There isn’t any type of restriction on the use of webfont technology, neither based on traffic, on the number of domains or time of use.


You can use on as many titles and platforms as you want, with no distribution limits.

Sharing with suppliers?

Yes! Just remember to include suppliers in the total number of users within your license. They must use the fonts only in projects for the Licensed company.