There’s always Margem for innovation

Fonts in Use

Maddock Douglas is an innovation consultancy. I can picture you rolling your eyes at ‘innovation consulting’ but allow me to finish: they have been doing this for 25 years. They can use the word ‘disruption’ on the top of their home page. Better yet, they wrote it in my typeface Margem and adopted it throughout

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Votorantim Sans: the consolidation of a strong brand

Custom Fonts

Fonts give visual form to the verbal language. Corporate fonts materialize brand strategies, carrying its individual personality and DNA into every written word. In an increasingly saturated environment, speaking consistently with your own voice brings a powerful advantage; and major brands have used it. Votorantim is completing 100 years and reflected on its history and

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A Russian accent for SporTV

Custom Fonts

One of the most beautiful aspects of the World Cup is the integration between several countries around the same passion. There is a spontaneous cultural exchange that brings surprises, discoveries, memes (of course!) but also homages. During the 2018 World Cup, the SporTV font will adopt a proudly Russian accent. The exclusive typography, developed by

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Sua font: an intuitive choice for Monange

Fonts in Use

Designing retail fonts – not commissioned by a particular client – has an exciting dynamic. Hundreds of hours are invested in creating something that we do not know where will stand. Who will use it? In what way? Will it behave in the contexts out there, in real life? Will it walk in the company

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SporTV Icons

Custom Fonts

There are many icons readily available, just as there are many existing fonts. And just as some brands are not content with existing solutions, there are those who want their icons be their own. SporTV channels now feature more than 100 icons exclusively developed by Fabio Haag Type. From soccer to tennis, from climate to

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Inside the margins in 500 pages

Fonts in Use

The book which stars the Brazilian Heritage series also premieres Margem in the editorial world, for the record, in more than 500 pages. Cultural Goods of Brazil, organized by João de Souza Leite, focuses on the political-cultural thinking of Aloisio Magalhães, considered one of the most important Brazilian graphic designers of the 20th century. Ney

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Cheers!

Fonts in Use

Picture my happy face: my font Sua stars in the real world on the packaging of a local artisanal beer. The project by Bruno Schilling is amazing and departs from the common sense of the category. The beer from Rübebeer I already enjoyed, but from now on, will taste extra special. Thank you both! Find out

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My First Time

Uncategorized

On the same day I received two very similar messages. They began in an almost confessional tone: ‘I’ve never done this before…’, ‘It seemed easier to just download for free at some places in the internet…’ They continued to hint for a change: ‘…but then a teacher has told me…’ And they concluded with this

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